Ir a versiˇn Castellano
ne°nymus. Cueva de los MurciÚlagos de Zuheros. Cˇrdoba
miércoles, 22 de diciembre
NEANDERTHAL. Getafe. Madrid
miércoles, 29 de diciembre
neønymus creates in live a very personal mixture of voices, sounds and instruments, using early music vocal harmonies, contemporary, folk, and maybe some jazz. Started this solo project in 2010, after receiving various influences of Norwegian artists who have gone through Covarrubias, Burgos-Spain (place of residence).
His unique voice and the originality of his songs and format where vocal lines weave created live (sometimes rising chords and other, little phrases counterpoint), and fused with a brave combination of technology, small instruments music and some objects, to move the listener about imaginary places that recreate soundscapes from antiquity to modernity, some times with a huge emotional burden.
ne°nymus solo necesita dos metros cuadrados y los impactantes cinco primeros minutos de sus conciertos para transportar al que le oye a otros tiempos, a otros ritmos. El PaÝs
"It was one of the most touching musical experiences of my life.
I've never seen anyone transmit music as you do." Anˇnimo
"íne°nymus es el gran chamßn del sonido mßgico.
Imprescindible para que el alma vibre de verdad!" Iker JimÚnez
"Llevaba tiempo sin sentir un Stendhal asÝ de gordo.
Anoche fue mßgico en el volcßn sonoro que se formˇ en el muladar de Quintanalara." Pablo Lobo
"Tu m˙sica remueve los cimientos, ya caducos, que ya no nos sirven, hace caer todas esas emociones que nos dividen, para conectarnos a una sola emociˇn. EL PRINCIPIO. Te doy las gracias por volver a recordarme en mi interior lo que soy realmente." Anˇnimo
The only symbol of superiority I know, is goodness.LUDWIG VAN BEETHOVEN
Concert of about 90 minutes, for all audiences. Especially suitable for theaters, auditoriums, hermitages, caves, small private events and spaces with musical tradition, museums, outdoor amphitheaters and in short spaces where people can be seated.
The music performed suggest scenes that evoke prehistoric, tribal rituals, medieval harmonies and contemporary music, all spiced with humorous presentations that put a counterpoint to the solemnity of the pieces performed.
Especially recommended for audiences in historical or natural places. Loop station, electronic devices that convert voice to the Palaeolithic bone flutes mode, plastic pipes, a tree, two forks, a melodic and other unique objects make up the sound corpus neønymus music.
Invented history of invented music, is a 60-minute educational concert originally aimed at an audience from 3 years and partly based on the concept of neønymus. Perfect for schools, colleges and cultural centers.
It is an imaginary look at the history of music, from prehistory to the present day. Bones, bone flutes and wooden claims, tubular bells, sound effects, melodic, diatonic accordion, vocal and body percussion and sung melodies are used.
Generated interaction with the public (singing, generate sounds, taste some unusual instruments, etc.) and the variety of instruments and the technology used, let the kids hallucinated and a more friendly and closer view of music. It makes the seed grow fantasy in their minds.
Year's first concert
In sight concerts
ne° magic number